Origin and Development
Mughal School of art Mughal School of art is not a new style in itself but it was the same Indian school of art which was well refined and polished by the Persian artist it the help of Indian Artists. Actually, Mughal art is the mixture of Indian (Rajajasthani traditional art + Persian art = Mughal art. In fact, Mughals were very much impressed by the Indian style of art but the general ornamentation and border decoration was of Persian style.
The origin of Mughal School of painting is considered to be a land mark in the history. Anew culture of painting developed under the patronage of Mughal rulers of Taimur dynasty in Bukhara and Samarkand and it reached its peak during the 15th century. Taimur gave due regard and importance to the artists in his court. Bihjad was the best artist among all the painters of that time.
Babur was from Taimur family, founder of Mughal Empire in India. Babur was mostly in the battle field and died in 1530 A.D. His son Humyun had to spend 13 years in exile in Iran after being pushed out by SherShahSuri from India. Humayun was also busy in battle but he got the painting of Dastan – a- ameer Hamza done his time. He had two famous artists in his court who came from Kabul namely Saiyyad Ali (of Tabrez) and Khawaja Abdussamad (of Shiraz) from Bihjad School of art. Humayun died in 1555 or 1556 A.D. after ascending the throne of Delhi and left his son Akbar, only child as his successor.
Akbar was only 13-year-old at that time. Emperor Akbar was keenly interested in the art of painting and architecture as well as sculpture also. Akbar had a broad vision. The Mughal School of painting was organized at its zenith during this time. A large number of Indian Artists from all over India were recruited to work in his court. There are many manuscripts that were illustrated in his time. They are………
THE TAWARIKH-E- KHANDAN-E- TEMURIA, 2.THE RAZMA NAMA 3. THE RAMAYANA, 4.THE BAKAT- BABURI 5. THE AKBAR NAMA, 6. THE ANWAR-E-SUNAHELI, 7. THE AYAR-DANISH, 8. THE NAL DAMYANTI, 9. THE CHANGAZ NAMA, 10. THE ZAFAR NAMA, 11. THE AINE AKBARI.12. THE HAMZA NAMA.
According to the Ain-e -Akbari of Abul fazal, during that period, about 1400 events had been painted, out of which few are available now. Akbar had started a new religion Deen – e- Ilahi the aim was of which was to compromise or Suleh Kul. He became very popular in a very short time because of his greatness and liberality. Mir Saiyyad ali, Khwaja Abdussamad, Bihzad, bhag, Miskin, Basavan, Manohar, Daulat, Mansur, Kesu, Lal, Dasawan, Shankar Goverdhan and Inayat etc. are very impartment and famous painters of Akbar’s court or atelier.
Jahangir, son of Akbar, was a great lover of art and nature. The Mughal miniature reached a very high level of excellence in his period. He encourages his painters. As a result, a number of paintings were painted of birds, flower, and animals in his time. Portrait painting became very popular during his time and attained heights of refinement. We even find some portraits of ladies illustrated in his time.
Famous painter of Jahangir’s times is Ustad Mansoor (bird’s painter), Abul Hassan (Animal and portrait painter), Bichitra (Symbolic painter), Bishan Das, Balchand, Mukhlis, Daulat, Riza, Bhim, and Inayt. Under Jahangir’s patronage, Painting acquired greater charm, refinement and dignity. He had great fascination for nature and took delight in the portrait of birds, animals and flowers. The anwar –e –sunahli, is another fable book. The portrait of Jahangir illustrated is a typical example of miniatures executed during the period of Jahangir. This miniature is in the collection of the national museum, New Delhi.
After the death of Jahangir, shahjahan became the emperor of the Mughal Empire in 1626. But he did not patronize painting like his father he was a lover of architecture. He got so many forts, palaces and mosques constructed. The Taj Mahel, red fort of Agra etc. the art of painting went on in Jahangir style in Shahajahan’s time also. But the standard was not as high as it was during Jahangir’s period. The art of painting saw downfall in the time of shahjahan because of the traditional and hackneyed style.
Aurangzeb came as a fanatic Muslim ruler. He was a bitter enemy of painting and music. Most of the artist went to hills where they got shelter and after reaching there they invented a rare new style of painting which is known as Pahari School of art. In this way the Mughal painting saw its end during the time of Aurangzeb.
During the period of Bahadurshah, there was a revival of Mughal painting after the neglect shown by Aurangzeb. The style showed an improvement in quality. After 1712 A.D. the Mughal painting again started deteriorating under the later Mughals. Though retaining the outer form, it became lifeless and lost the inherent quality of the earlier Mughal Art. Finally, the glorious period of Mughal Miniatures Art came to an end the early 18th century. So, we can say that Mughal Art originated with Mughals, developed with Mughals and ended with Mughal rule in India.
Mughal painting came with the Mughals, developed with the Mughals and ended with end of Mughal rule in India. When Mughals came in India and saw Indian (Rajasthani) painting they gave a great honour to the Indian artist. This resulted in creation of new style by the combination of India and Persian style which began to be called the Mughal style and undoubtedly unique. The following are characteristic of Mughal art….
Profile faces – Profile of face is the main characteristic of Mughal School. Almost all the portraits are EK CHASHM.
Special decoration with border – This is the main effect of Iranian art on Mughal painting. All the paintings have been decorated with the borders around it which are more ornamented.
Royal splendor – The Mughal emperors craved for royal splendor and discipline. We find typical atmosphere of royalty even in the gathering for pleasure.
Historical scenes – Mostly historical scenes have been painted in Mughal School. Maximum painting of historical scenes was done in Akbar’s time, because he gave much importance to the manuscripts paintings such as Kissa – amir- Hamza.
Fine line drawing – The beautiful thin thick fine lines can be judged by portraits of the style. The artist has tried to paint each and every facial hard of the persons which is really wonderful.
Portrait painting – There is abundance of portrait painting in the Mughal school. Portrait of saints have also been painted along with emperors. Maximum portrait paintings were done in shahjahan’s period.
Garments – Garments are beautifully and ornamentally painted in the Mughal painting. Transparent chunni have been painted. Most of the garments are of summer season. The male figures are shown wearing Angarkha and chudidar pajamas. The use of stripling (pardaz) is shown with delicate shading.
Religious themes – There is depiction of Indian epics, mythology and love stories such as THE RAMAYANA, THE MAHABHARAT, THE NAL DAMYANTI AND PANCH TANTRA stories. There was also depiction of Islamic, Arabian and Persian episodes.
Depiction of nature – Trees, plants, rivers and mountains etc. have been beautifully depicted in Mughal art. The natural scenes painted show hunting scene battle scene, if there had been three types of trees in a painting, their leaves were painted differently with accuracy.
Ornamental designs – All the paintings of court we find, have beautiful ornamental design on walls of palace, ceiling and floors. The designs are geometrical. Floral and creepers are rhythmic and smooth.
Expression of ideas – The different sentiments have been beautifully painted in the paintings. The depiction of sad emperor, obedient servant, restless queen and nervous boatman are noteworthy. Similarly, every idea is clearly visible in the painting.
Golden and silver colours – Golden and silver colours have been mostly used in painting. In the necklaces and footwear, the golden and silver colours are used with care. N border also there is wonderful use of golden colour.
The use of calligraphy – Calligraphy on it black ink. Even artist’s name has been written beautifully.
Depiction of animals and birds – Animal and birds paintings depictions are also one of the main characteristic of Mughal art. Ustad Mansoor was the best bird painter. A falcon on a perch (bird rest) is matchless painting. Elephant fights, camel fights have been painted beautifully. Lions, tigers, horses and goats etc. have been depicted marvelously.
Natural colours – Mostly mineral and natural colours are used which are attractive in the beginning flat colours were used but later on one can also see the depth with delicate shading of colours. The appropriate colours have been applied with great care in painting.
- The art of court, secular and eclectic in its character.
- The use of calligraphy with artist name.
- The portraiture-delineation of fine likeness.
- The representation of minute details.
- The depiction of nature as a special study (fauna and flora).
- The faces are usually painted profile (EK-chasm)
- The use of mineral and natural colours with silver and golden.
- Painted border decoration used in Arabic script.
- The delicacy is maintained in figures and architectural forms.
- The depiction of court scenes, hunting and battle scenes, music and dancing scenes, processions and wedding scenes etc.
- The depiction of foreign and religious stories especially Islamic and Indian epics like The Ramayana, The Mahabharata, Nal- Damyanti etc.
- The Naturalistic treatment of landscape borrowed from European paintings.
- The use of stripling (Pardaz) and delicate shading.